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About o on cirque du soleil research papers

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The international cast comes from 19 different countries and is composed of world-class acrobats, former Olympic athletes, synchronized swimmers, divers, and performers. Each layer of the show comes together to pay tribute to the magic of theater while revealing the infinity of water.

  • Some interesting coverage in English about the 2013 crisis can be found in Nestruck, 2013 and Marotte and Barber;
  • Meredith Minkler and Nina Wallerstein;
  • Between the Lines, 2011.

While the performance is surreal and the talent is next to none, you may have found yourself wondering how the stage transforms so quickly for high divers, then synchronized swimmers, and then back again for more magical acts.

Maybe you found yourself as amazed with the costumes as you were with the performers in them.

“O,” Behind the Scenes

Of those technicians, 14 are strictly underwater professionals and guides. He is certified as a PADI master scuba instructor, meaning he is one of the highest levels as a scuba diver, and has underwent countless hours in the water, weeks of training, and then an additional several months receiving additional certification so he could train his crew.

In each show, there are two divers who stay underwater and act as communication drivers to relay what is going on. Williams shares that the team meets before each show to go over which artist will be in each spot, what changes will take place in the water, and what the preferences are of each artist. And once the show begins?

Access Check

Techs can spend three to four hours underwater during a single show. And what about those costumes? While you may not have kept track during the show Roddham says she is doing her job if you are focused more on the spectacle than the costume changesmost performers have five different looks they wear on stage.

Ever wonder how the fire artist Ray Wold keeps his cool for three and a half minutes while his whole outfit is aflame?

How Cirque du Soleil Works

The construction of the fire suit is a whole other process. Costume designer Dominique Lemieux began working on the fire suit and its other unique costume designs in 1996, two years before it even started. The first costumes were tested in March 1998, and the show went live in October of that same year. Since then, looks have been updated and altered, changing with the artists and fabric selections from around the world.

  1. He is certified as a PADI master scuba instructor, meaning he is one of the highest levels as a scuba diver, and has underwent countless hours in the water, weeks of training, and then an additional several months receiving additional certification so he could train his crew. Bouchard, Donald F, ed.
  2. Playwrights Canada Press, 2009.
  3. The Soviet-Union 1930-1980 introduced elite training and focused on artistic expression; France pursued this artistic project and sought to give social significance to circus from the 1970s to the 2000s with its nouveau cirque. Saddlemyer, Ann and Richard Plant.
  4. Lincoln, and Linda Tuhiwai Smith, eds. Queer Theatre in Canada.
  5. While the performance is surreal and the talent is next to none, you may have found yourself wondering how the stage transforms so quickly for high divers, then synchronized swimmers, and then back again for more magical acts.

While the costumes are physically beautiful, they also have to perform as well as the artists. Roddham says that full body measurements are taken, and then costumes are made specifically to fit the body.

Especially for the aerial performers who have to be able to move comfortably and swiftly, and even have shoes individually made to assists in their challenging routine.

  1. An emerging field in an interdisciplinary research landscape 16 The ad hoc discussion group has grown very quickly, and unexpectedly, into a community of scholars and practitioners building a field that departs from theatre and performance studies, as well as existing American studies into circus history or European heuristic studies of nouveau and contemporary circus. Bouchard, Donald F, ed.
  2. The numbers have been rather consistent whether given in a crisis situation as in Jan. U of Chicago P, 2005.
  3. For designer Lemieux, how the fibers react to the elements and the artists is of the utmost importance.
  4. Raymond, Caroline, and Nicole Turcotte.
  5. Women and Trans Artists. Maybe you found yourself as amazed with the costumes as you were with the performers in them.

Once everything is made to exact measurements, fittings take place. First, performers have a dry fitting to see how the costume feels overall.

  • Circus is both performing art and business, fundamentally global and multinational in its traditions and the provenance of its artists and, in the case of Quebec, very much presented as a distinctive hybrid model for creativity emerging from a distinct society;
  • Theatre in the Academy from Philology to Performativity;
  • Playwrights Canada P, 2006;
  • The pumps, running at 1,500 psi, and accumulators are about 1000 m away from the stage, feeding the hydraulic cylinders via pipes at 770 psi pressure;
  • I co-supervised an MA on social clowning written by long-time clown Sue Proctor.

Then a wet fitting takes place to make sure it will perform in and out of the water. For designer Lemieux, how the fibers react to the elements and the artists is of the utmost importance.

  • It has a high performance program at the high school level, the collegial level, as well as a professional program that includes instructor and circus trainer programs;
  • Then a wet fitting takes place to make sure it will perform in and out of the water.

With five looks and 77 performers, the only things larger than the number of costume pieces is the number of hours going into the preparation.