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A mother in a refugee camp essay

  • Suffering is an abstract, and should not be neatly controlled;
  • The tone of 'Remember' in the octet is demanding;
  • In 'Remember', the speaker insists on her partner not to forget her and to remember her and forces it upon his partner;
  • It's interesting how closely Duffy's poem echoes the themes of the non-fiction text A Passage to Africa;
  • The word' gone creates the feeling of loneliness and disparity;
  • This is often contrasted with the Pieta, posed in the same form, of a mother with her dying son, which is also the topic of this poem.

It's interesting how closely Duffy's poem echoes the themes of the non-fiction text A Passage to Africa. Get an analysis of this here.

  • The speaker also uses the word, 'far' which suggests an extensive distance that she will travel;
  • The poet purposefully allowed free flow and disorganization of the poem; for example, the first stanza is small in length in comparison with the other stanzas;
  • The speaker argues that there will be no form of communication between them when she is dead therefore should 'Remember';
  • The extensive distance that she is referring to is death.

In both poems, religious references appear: God is needed but it's hard to see how God can permit the suffering. In terms of structure'War Photographer' is tight, echoing the uneasy juxtaposition of 'spools of suffering' in 'neatly ordered rows'.

Analysis of "Refugee Mother and Child" By Chinua Achebe

Suffering is an abstract, and should not be neatly controlled. Each stanza is perfectly regular: The feel at first is soft, steady, drawing us without warning into the violence at the centre of the poem.

  1. Rhyme and rhythm show the hostile attitudes towards death in the poems, 'Remember, 'Do not go gentle' and 'A Mother'. About this resource This English Literature essay was submitted to us by a student in order to help you with your studies.
  2. She offers private tuition in the Haywards Heath area, West Sussex.
  3. The use of free verse allows the speaker to convey his thoughts with no restrictions.
  4. Both create a strong sense of pity. In 'Remember', the poem is a Petrarchan sonnet, which is divided in two, an octet and a sestet.

Duffy uses negation to flicker between here, and there, now, and then: The tone of Duffy's poem shifts half way through then again in the final stanza into the apathy of 'pre-lunch beers' and 'do not care', a shocking contrast. The structure of 'A Mother in a Refugee Camp' is free, without break or interruption as if we're inexorably drawn down into the child's death: But the tone here is gentle towards the end.

We see death gently: In the mid-section the day to day horrors of the camp are presented metaphorically with plosives 'blown out bellies' and 'diarrhea'.

The list creates a sense of the profusion of suffering: Thick liquids create a sense of struggle in 'waddling in laboured steps' and 'dried up' is a horrible image to use for a child - supposedly fresh and young.

Both create a strong sense of pity: I try not to explore language and imagery until the main part of the essay. Both poems deal with the subject of war in the world today. The Madonna and Child trope is a type of conventional religious painting depicting Mary with the infant Jesus.

This is often contrasted with the Pieta, posed in the same form, of a mother with her dying son, which is also the topic of this poem.

  • This poem shares a common thread with 'Do not go gentle' as they both want their fathers to appreciate their effort or do things differently as in ' Poem at Thirty-Nine', she wants her father to admire her but it is too late;
  • I try not to explore language and imagery until the main part of the essay;
  • The rhyme scheme of the poem directly parallels with the two ideas in the octet and the sestet;
  • The list creates a sense of the profusion of suffering;
  • Both poems deal with the subject of war in the world today;
  • This attitude shows that death will approach slowly and will inevitably; reach a halt where you cannot continue any longer.

We see the living son, soon to be dead. Images of ghosts among the living prevail - like the 'ghost smile' - and the simile that compares the way she combs his hair to 'putting flowers on a tiny grave'.

  1. She wanted to do more with her father and that she has changed as a person due to her fathers teaching and wants her father to admire the woman she has become. In terms of structure , 'War Photographer' is tight, echoing the uneasy juxtaposition of 'spools of suffering' in 'neatly ordered rows'.
  2. The tone of Duffy's poem shifts half way through then again in the final stanza into the apathy of 'pre-lunch beers' and 'do not care', a shocking contrast.
  3. In 'Remember', this was achieved by the change of rhyme scheme, which showed the lack of acceptance of death in the poem.

The poem flickers between life and death, just as the people, on the brink of starvation during the civil war and famine in Biafraare caught in a living death. In 2012, she was nominated for Pearson's Teaching Awards. She offers private tuition in the Haywards Heath area, West Sussex.